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Izotope Rx Elements
Izotope Rx 5 De Reverb 2
Izotope Rx De-reverb

Jun 03, 2017 But if that doesn't work out, then this is how to.reduce. reverb, not eliminating it, in Izotope RX 6. Previous session demonstrating how to use sound blankets to reduce reverb. Jan 05, 2016 Teil 9 der Videostrecke zu iZotope RX 5. In diesem Teil: Das De-reverb-Modul. Der Artikel auf Recording.de: http://recording.de/Magazin/Testberic.

Open the audio file in the RX Audio Editor or send it via RX Connect (or open De-reverb as an offline plug-in in your DAW or NLE).
Open the De-reverb module [Shift + 8].
Select 5–10 seconds of audio that begins with a direct sound and contains segments of both the direct sound and the reverberant tail (the sample audio file used above would be a perfect example).
Click Learn inside the De-reverb. This will automatically detect a multiband reverb profile for the audio, as well as the length of the reverb tail.
Now select the entire section of audio you wish to process.
Click Preview to listen to the audio with De-reverb applied. The master reduction amount will still be set to the default value of 10.0, but this setting is likely too aggressive for this example. Reduce this to around 2.0 or 3.0. Any value above 0 will reduce the reverb tail, but any value below 0 will enhance the reverberant signal. You can also tailor the reduction amounts at certain frequencies using the multiband sliders.
If you hear the reverb tail getting louder after the initial reduction, adjust the Tail length to accommodate the longer decay time. For this example in St. Paul’s Cathedral, we’ll use a Tail length of 2.9 seconds.
Check the box marked Output reverb to listen only to the components of the sound that are being removed. Continue to tailor the settings to remove the desired amount of reverb without affecting too much of the voice. For this example, we’ll reduce the High frequency attenuation to 2.5 and the general Reduction slider to 2.5 as well.
Choosing Enhance Dry Signal can help boost the direct signal while continuing to reduce the reverberant tail.
Click Process to render.
Repeat the steps above two or three times, relearning the reverb profile each time and processing with moderate reduction settings to tackle complex reverbs.

Izotope has announced the next version of its spectrogram–based audio editor with RX 6. The newest entry in the RX series ups the studio wonder quotient, lending a variety of new techniques for repairing recordings. RX 6 offers more powerful tools for erasing distracting elements in a recording that either crept in by themselves or are the results of performances.

As Geoff Manchester from Izotope demonstrates in the trio of videos he filmed here at the Reverb studio, RX 6 lends engineers a finely sharpened scalpel for scraping away any little thing they don’t want surfacing in their mixes. This includes advanced de–essing, bleed reduction, and even ways to reduce sibilants and breathing.

iZotope RX 6: De-Bleed, Breath Control, Spectral De-Esser & De-Plosive on Vocals | Reverb Demo Video

Izotope has made quite a name for itself over the years with its spectrogram–centric software and plugins that transform audio in ways that are, well, kind of magical. It’s Iris synthesizer works with audio in a similar way to the RX range, but transforms audio into new sounds instead of distilling it down to its bare essentials.

Izotope Rx Elements

Izotope is currenty offering 25% off both versions of RX 6 through May 31st.

iZotope RX 6: Composite View Waveform & Editing Unwanted Cellphone Across Multiple Tracks

Izotope Rx 5 De Reverb 2

Izotope Rx De-reverb

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